ARTIST STATEMENT

This ongoing exploration of the natural world led me to develop a fascination with human anatomy, which, in turn, sparked my passion for sculpture. My work experiments with innovative methods to redefine beauty, utilizing unconventional materials and forms.

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At the core of my sculptural practice is the intersection of art and nature, with mycelium as a central and consistent medium. This remarkable and largely unexplored organism, with its complexity and vast potential applications, has captivated me and now defines the focus of my multidisciplinary art practice.

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Throughout my journey, I have been driven by the pursuit of a more harmonious and sustainable society, aiming to foster a deeper reconnection between humanity and the natural world. My approach to each project embraces diverse methodologies, emphasizing the dynamic interplay between my process and the architectural frameworks that support it.

My constant observation of living organisms and their role in the world has led me to question our own existence and purpose within it. This reflection has made me realise how deeply disconnected we are—not only from one another, but also from the rest of the organisms that coexist in a state of perfect homeostasis. Among them, mycelium has captivated me the most. It belongs to a largely unknown kingdom, yet it is the one that sustains all others.

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Through my practice, I have initiated a collaborative relationship with this

kingdom, integrating it into my work as both material and metaphor. My aim

is to spark questions—within myself and those who engage with my

work—about our relationship with nature, with others, and with ourselves.

I see this contribution to the fine art scene as a call to awaken consciousness,

to reconnect with the living world, and ultimately, to rediscover what it means to be human.